The version used in the film itself makes heavy use of temp tracks lifted directly from the previous two films (as opposed to the new variations on those cues found in here) and the middle section is edited differently as well. Then fear will find you again". In the film it is followed immediately by "Gotham's Reckoning".

The title is referenced when Selina Kyle says, "There's a storm coming, Mr. Wayne".

Played when Batman knocks Bane into the courthouse and Miranda Tate reveals herself as Talia Al Ghul. This track contains the three-note motif present when Batman defeats the main villain, in this case, Talia al-Ghul. "[6], Just like Batman Begins and The Dark Knight, the main theme always consists in two notes repeated, representing Batman's pain and guilt. Theme suite composed in the development of the film, containing the chant. The title comes from Bane's statement to Batman: "The shadows betray you...because they belong to me!". The title of this track comes from Bane telling Batman, "You'll just have to imagine the fire!". This track is not exactly the one used in the film, however; the film version is slightly altered beginning at 5:20, while the music at the very end is lifted directly out of the previous film. Played whilst Gordon and the others plot to rescue the trapped policemen underground. [4], Additional cues were released through an iPhone app titled The Dark Knight Rises Z+ App Origins Pack. Bane's principal theme, it is considered the first "official" music heard in the film, played during the scene in which Bane crashes the plane. [22], Filmstracks, on the other hand, stated that, "Lost in all of the media hype and sensationalism surrounding this franchise's second coming is the artistic merit of Nolan's achievements, and a contributing factor to the frenzy is undoubtedly Hans Zimmer's involvement as the concept's now most frequent musical voice." The two-note motif which has served as a theme throughout the trilogy. Heather Phares of Allmusic commented that "while Hans Zimmer's music for Christopher Nolan's Batman movies aren't as high-concept as some of his other scores, such as Inception or Gladiator, Zimmer ties the music for the final installment of Nolan's Batman trilogy to his previous scores, but allows these pieces to have their own flourishes as well". [13], The album debuted at number 10 on the Canadian Albums Chart. Played when Bane speaks to a wounded Bruce in the pit. Theme suite composed in the development of the film. The title is taken from the scene when Bruce interrupts Selina during a dance to retrieve the pearls and says, "Mind if I cut in?". [9], The score won in the category "Best Original Score" at the Denver Film Society[10], while it was nominated in other events, including the Grammy Awards[11] and the Saturn Awards. The music used at the beginning of the credits for each of the three films (which accompanies the Batman's first appearance in this film as well as in, The music sung by the choir boy in "Rise", which also played in, The music when Ra's al Ghul appears in this film, which is the same piece used in, The music that plays when Bruce first appears in this film, which also played when the adult Bruce was seen for the first time in, The heroic theme which plays when Bruce escapes Bane's prison which also played when he was surrounded by bats in, The action theme which is heard when Batman is evading the police during his first appearance was also played in, The uplifting music used at the end of this film, which was the same piece used at the end of, The three note motif that plays when Batman defeats the main villain, in this film right when Talia's truck goes over the edge of the overpass, in, This page was last edited on 4 November 2020, at 11:03.

It contains the album tracks "On Thin Ice" and "Imagine the Fire" (see table above for information on those tracks), as well as several unreleased and unused cues. "[24], Tracks not included within the release of the soundtrack:[26].

", and consequently manages to climb out of the pit. The title comes from Bruce telling Alfred, "There's nothing out there for me".

It seemed like an interesting thing. The app contains four original suites ("Wayne Manor", "Selina Kyle", "Orphan", and "Bane") that were created during the early stages of development for the film.

The CD edition of the album contains an exclusive code to unlock three bonus tracks, titled "Bombers Over Ibiza (Junkie XL Remix)", "No Stone Unturned", and "Risen from Darkness". "[23], Jonathan Broxton of Movie Music UK stated that "In many ways, The Dark Knight Rises showcases the best and the worst of Hans Zimmer's musical personality in one all-encompassing score", "on the one hand, the intellectual design and intelligent use of Bane’s Chant shows Zimmer at his creative best, taking a simple idea and working it around to suggest complex concepts and subtle changes in context", and that "On the other hand, you have the same old arguments: the Zimmer sound permeating the Hollywood mainstream to such a degree that composers as talented as Alan Silvestri and Patrick Doyle are being asked to ape the style; the fact that Zimmer himself seems to be stuck in a rut, writing what in effect are little more than variations of the same score on almost every action film he tackles; the over-reliance on electronic enhancements, ghostwriters, arrangers, and so on and so on. So, we tweeted and we posted on the internet, for people who wanted to be part of it. The soundtrack was released on July 17, 2012. We've created this world, over these last two movies, and somehow I think the audience and the fans have been part of this world. [17], The film features a prevalent chant of the phrase deshi basara, which, according to Hans Zimmer himself, means "rise up" in a language which he says he's happy to have kept secret (allegedly Moroccan or another Arabic dialect, even Mongolian word "deeshee bosooroi" which means literally "Rise Up" though this is disputed).[18][19]. When asked about the development of the chant, Zimmer said, "The chant became a very complicated thing because I wanted hundreds of thousands of voices, and it's not so easy to get hundreds of thousands of voices. Referenced when Bane says "Yes...The fire rises" to one of his mercenaries during the prologue. A shortened version of the theme from 4:00-5:16 is used when the police officer threatens to blow the bridge; the rest of the track is a variation on the music which plays during the fight between Batman and Bane outside the courthouse. "[28], "The Dark Knight Rises Soundtrack Revealed", "The Full Dark Knight Rises Soundtrack is Online!

Additionally, the rising note at the beginning of the track is shorter in the film. 1", http://www.promusicae.org/files/listassemanales/albumes/top%20100%20albumes_w30.2012.pdf, "Homepage - HDtracks - The World's Greatest-Sounding Music Downloads", Hans Zimmer Speaks On The "Deshi Basara" Chant In, Arabic verbs: conjugation, prefixes and suffixes, "Composer Hans Zimmer Talks About Crowd Sourcing Chants for the Score of THE DARK KNIGHT RISES", "THE DARK KNIGHT RISES – Hans Zimmer - MOVIE MUSIC UK", Pirates of the Caribbean: The Curse of the Black Pearl, Pirates of the Caribbean: Dead Man's Chest, Pirates of the Caribbean: Soundtrack Treasures Collection, Pirates of the Caribbean: On Stranger Tides, https://en.wikipedia.org/w/index.php?title=The_Dark_Knight_Rises_(soundtrack)&oldid=987020942, Short description is different from Wikidata, Album articles lacking alt text for covers, Creative Commons Attribution-ShareAlike License. This music accompanies the last scene of the film, starting from when Batman flies the Bat out into the sea, to the ending moment of Blake rising in the Bat Cave. Also present are portions of "Gotham's Reckoning" and "The Fire Rises", as well as several unreleased cues. First played when she steals the deceased Mrs. Wayne's pearls. It is another variation on the finale music. Referenced when Bane kills Dagget dubbing himself as "Gotham's reckoning".

Played when Batman first reappears in Gotham by lighting the symbol on the bridge and then rescuing John Blake from Bane's thugs. The music heard during the opening logos of the film.

The first section is primarily heard when Bane and his men escape from the Stock Exchange on motorcycles. The very end of the track plays during Gordon's speech on Harvey Dent Day. Played during the chase scene when Batman first appears. The rest is heard during Bane's speech in front of Blackgate Prison.

The bat-flapping motif which has accompanied the opening logos for each of the three films. The Dark Knight Rises: Original Motion Picture Soundtrack is the soundtrack to the film of the same name, the sequel to Christopher Nolan's 2008 film The Dark Knight.The soundtrack was released on July 17, 2012.

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